But Makoto doesn’t have a crush on Haruka. Usagi alerts the rest of the girls to this development, to the point that they call her to beg her not to give up on men while she’s having coffee with Haruka. Perfect, it ain’t.) There’s a run of episodes where each girl gets to spend time with Haruka, which are all fun, from Rei (whose Catholic schooling makes her the Guardian most invested in defending her heterosexuality) and Haruka being utterly baffled by Rei’s boyfriend’s jealousy towards Haruka, and Usagi and Minako being heartbroken to learn that Haruka is both not a dude and definitely off the market.īut the best of these episodes is “Coldhearted Uranus: Makoto in Danger.” Makoto becomes seemingly smitten with Haruka after Haruka gives her her scarf. (Usually by recommitting firmly to heterosexuality. But Haruka’s arrival on the scene causes a flurry of activity in the girls, who all nurse varying levels of platonic crushes on her and negotiate it in varying ways. I mean, Michiru is presented as the epitome of elegance and class. I am not exaggerating in the slightest when I say that Haruka, Sailor Moon’s resident soft butch goddess, is presented as the most attractive and coolest human alive. Sailor Moon S also brings the welcome introduction of two of animation’s highest profile queer characters in Haruka and Michiru.
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She wipes the floor with them, earning their respect, but the series ends on a troubling moral note: Usagi’s radical empathy can save the day, but will it always? They just will not accept a future queen who is so, to their eyes, naive. The season’s penultimate episode finds Usagi having to defeat Haruka and Michiru in physical combat to earn their loyalty. She emerges from the final battle against the Silence deeply shaken. Usagi is ultimately proven right, of course, but the show doesn’t accept it completely.
She even kills one of the monsters of the week… who, despite her programming, showed her kindness by trying to help her during one of her fainting spells. Usagi and the inner Guardians think it’s unspeakably immoral, but their unwillingness to harm or just investigate Hotaru puts a lot of people in harm’s way, as the Death Busters more more efficient and Hotaru herself begins, in unwitting thrall to the darkness inside of her, hurting people. Once the identity of the Messiah of Silence is discovered-one Hotaru Tomoe, Chibiusa’s new best friend-the show asks if it is right to kill one person to save the world.Īnd this question is asked over and over again. As psychic Rei struggles whether or not she should share her premonitions with the rest of the Sailor Guardians, they find Tokyo targeted by the Death Busters, a group out to steal pure hearts to summon the Messiah of Silence, and two mysterious Sailor Guardians, Neptune (Michiru Kaioh) and Uranus (Haruka Tenoh), who are so hellbent on stopping the Silence that they’re willing to kill.
This season’s major threat is the Silence, a world-ending event that will be brought about by the Messiah of Silence. Sailor Moon S continues the show’s tradition of moral complexity. As much as I’m mildly playing at revisiting my childhood by watching Sailor Moon at god awful in the morning while I get ready for work, I’m experiencing Sailor Moon in a way most English-speaking fans did not I mean, I’ll actually get to watch an official subtitled version of Sailor Moon Sailor Stars. I tend to think of Sailor Moon as a very cohesive whole, like a lot of manga and anime franchises, so it’s a little jarring to realize just how it trickled into North America, where it had such a sizable impact. Sailor Moon Sailor Stars was never picked up for North American distribution, largely because of that season’s gender trouble. DiC eventually bought and released the remaining episodes of Sailor Moon R, but it was Cloverway, the then American branch of the show’s production company Toei Animation, that produced the dubs of Sailor Moon S and Sailor Moon Super S, which ran on Cartoon Network. But after Cartoon Network made Sailor Moon and Sailor Moon R a key part of Toonami, the show became more and more popular. In fact, it kind of dropped it towards the end of Sailor Moon R, never finishing the season.
You see, after the first two seasons of DiC’s dub performed so poorly in syndication, DiC just kind of dropped it. Sailor Moon S had an odd journey to North America.
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